Please note that other Pearson websites and online products and services have their own separate privacy policies. This privacy notice provides an overview of our commitment to privacy and describes how we collect, protect, use and share personal information collected through this site. Pearson Education, Inc., 221 River Street, Hoboken, New Jersey 07030, (Pearson) presents this site to provide information about Adobe Press products and services that can be purchased through this site. Animations can be repeated many times over to create any duration (or even an infinite one). Having a background loop means that it won't run out on you when it's playing back live. Unfortunately, the required duration may be unknown.

Broadcast and live events often depend on backgrounds.

The viewer often joins an animation 'in progress.' Ensuring that the animation repeats smoothly creates a less jarring moment for the audience.

Digital signage (such as signs at airports or retail stores) is designed to be viewed in passing.

A seamless loop ensures a pleasant viewing experience. These often feature animated backgrounds.

DVD and Blu-ray Discs typically use motion menus.

Some uses for looping backgrounds include the following: Looping ensures that a background can repeat infinitely, which can be highly desirable because it gives you design flexibility. When creating an animated background, it's considered necessary that motion repeat seamlessly (called a loop). Here a skyline photo blends with a background texture and some color to create a pleasing background. Often, abstract or soft-focused footage works best ( Figure 7.1).įigure 7.4 A well-composed photo creates a natural frame. Footage is one of the easiest sources to use, because it's already moving. We recommend you consider the following options when designing them: We find that the best backgrounds use source ingredients (as opposed to just combining effects). Gathering SourcesĬreating backgrounds is a varied process. The goal is to make something that adds to the overall design but does not stand out. Creating a background is truly an invisible art.

Sure, a designer might use a patterned paper or a colored backdrop but never in a way that negatively impacts the readability of text or diminishes the value of a photograph.

In contrast, let's look at the print industry. As the stock animation industry has grown, competition has led to more and more companies trying to 'stand out.' This means that designs have become busier, louder, and generally obnoxious. Would you expect to see a gaudy patterned print at an art museum? You need to find the proper balance between an interesting background and preserving the visual hierarchy of information. The greatest challenge when it comes to creating and using backgrounds is that you need to show proper restraint. Just as you can't build an architectural masterpiece on a swamp, you'll need to find a solid base for the rest of the animated layers to come. It's important to realize that you are creating the foundation for the completed project. When creating backgrounds for a motion graphics project, you might be surprised at how much thought can go into the process.

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